Elitist cinephile and insufferable academic. Devoted to the Nouvelle Vague and obscure Romanian cult directors. Deeply despises popcorn.
Josh O’Connor delivers a hushed, soul-baring performance in this achingly tender indie drama about resilience and familial mending against the vast, unforgiving landscapes of the American heartland.
Alberto San Juan stars in a gut-wrenching psychological drama about a priest grappling with the moral dilemmas and dark secrets lurking within his congregation.
Barbie Ferreira stars in a charming and witty indie rom-com that dissects the creative crises and emotional entanglements of your twenties with surgical precision.
Cindy Campbell and Brenda Meeks are back in a new installment of Scary Movie, ready to skewer the latest horror hits from A24 and Blumhouse.
Travis Knight helms an ambitious reimagining of Eternia’s classic universe, striving to balance cutting-edge digital effects with the soul and swagger of the original franchise.
A searing, venom-dripping takedown of *Hokum*, the horror flick that promised chills but delivered a masterclass in how to bore the undead back to life.
David Lynch and Mark Frost gut the American Dream in this surreal nightmare where coffee tastes like blood and pies hide secrets darker than hell itself.
An acidic dissection of Kubrick's work, where the rage of war becomes chamber art and institutional black humor.
La incursión hollywoodiense de Xavier Gens se saldó con un thriller de acción entretenido pero mutilado sin piedad por las garras censoras de la Fox.
Crítica de la gran triunfadora del 29º Festival de Málaga. Analizamos la Biznaga de Oro a Mejor Película Española: un drama desgarrador sobre la madurez y los duelos.
Luca Guadagnino transforma el tenis en un deporte de altísima tensión erótica y psicológica en un vibrante duelo a tres bandas.
Crítica en profundidad de 'El club de la lucha' (1999). Analizamos la obra de culto de David Fincher sobre el consumismo, la crisis de masculinidad y el jabón humano.
Pascal Laugier regresa con un asfixiante, incómodo e inteligente juego de espejos sobre el escapismo mental, la violencia y las secuelas del abuso infantil.
